the tide leaves the tortoise on the highest rock.
dear life, where do you go?
the sun sets fast, the light turns itself black.
the winds of the cosmos blow star dust
through their egg-shaped orbits, and again.
some get closer to each other,
some of us get farther and farther away.
Spines of infinity pound ceaseless dreams
toward the center of the center of love.
on a cliff, far from the red, raging womb,
the coyote sings to the full, risen moon,
songs sung for the purpose of singing songs.
Wednesday, September 26, 2012
Tuesday, September 18, 2012
That's Right, Even Though I Can't Answer You
Trashcan, you smell like bad Christmas. I cut the fingernail on my little toe in you.
The Shudderesses
may be beings in their own eternal light and damnation.
Collated by massive super novelty innerventors,
suspect of inane religions, grabbed by nacho infused
bully guarded facially braided unpopulars.
Crying like night found pigeons swelled up on sills
of darker whites than previously imaginable.
Little girls, proper girls. Soul-boned, drench-wiped
aftershocks of two five-high towers of wires
for telephonic calls to her, dice, and jumps just.
Noxious and not just for folding her brain,
but light spewing from her nimbly intimate incisors.
Backwards sheepishly fidgeting, Blake Lively,
an outer call girl with fake plastic Rhombus
Factoids skips living and fakes laughing
to surmise sunrise particle beams
at last, while silhouetting her own reflection
on sidewalks near her lullaby's grown satisfaction.
Crumpled skin sacks, au pair on sedate schedule
of Reader's Digest, noggin legumes, pasta regiment
not outlasting, none outstanding, a time for ages
to be pressed again, foreign dialogue tongueless
top beating mouth senses, overarching web patterns
of mistaking no sense less. Tomboys, tomcats,
Razor race whores scooter, scooting cooch,
Waver never being blind, bloody bling,
a rubbing of her.
Nosferatu sucks. Nerf in tune, whistling football.
The burial of the light switch joke.
Forward acrophile safer journey
a lawful contribution.
( dedicated to May Swenson and all who feel or shudder
Collated by massive super novelty innerventors,
suspect of inane religions, grabbed by nacho infused
bully guarded facially braided unpopulars.
Crying like night found pigeons swelled up on sills
of darker whites than previously imaginable.
Little girls, proper girls. Soul-boned, drench-wiped
aftershocks of two five-high towers of wires
for telephonic calls to her, dice, and jumps just.
Noxious and not just for folding her brain,
but light spewing from her nimbly intimate incisors.
Backwards sheepishly fidgeting, Blake Lively,
an outer call girl with fake plastic Rhombus
Factoids skips living and fakes laughing
to surmise sunrise particle beams
at last, while silhouetting her own reflection
on sidewalks near her lullaby's grown satisfaction.
Crumpled skin sacks, au pair on sedate schedule
of Reader's Digest, noggin legumes, pasta regiment
not outlasting, none outstanding, a time for ages
to be pressed again, foreign dialogue tongueless
top beating mouth senses, overarching web patterns
of mistaking no sense less. Tomboys, tomcats,
Razor race whores scooter, scooting cooch,
Waver never being blind, bloody bling,
a rubbing of her.
Nosferatu sucks. Nerf in tune, whistling football.
The burial of the light switch joke.
Forward acrophile safer journey
a lawful contribution.
( dedicated to May Swenson and all who feel or shudder
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